Award Categories

  • Best Branded Content

    This category recognises the best content newly created for the brand. The content
    should fit with the brand values, strategy and clearly address the marketing challenge.
    Judges will evaluate the content creation and creative execution, with additional credit
    given to storytelling across media channels, as well as the customer experience as
    evidenced by consumer engagement metrics.

  • Best Campaign for a Holiday or Celebration

    This category will reward campaigns that have used a holiday or celebration day as the
    focal point of their strategy to generate results for their clients. Campaigns should make
    excellent use of audience insights around habits, activities, and preferences around the
    event, which are specific to the target market. The jury will also be looking for campaigns
    which have demonstrated how clever planning and strategy leading up to the occasion
    have been crucial to their success.
    Examples include, but are not limited to: Chinese New year, Songkran, Valentine’s Day,
    EID, Diwali, Easter, Christmas, and Halloween.

  • Best Campaign for a Specific Audience

    This category recognises the effective execution of a campaign targeted towards a niche
    audience. Judges will be looking at how the campaign has used insight to target a
    specific demographic based on various groups including gender, age, interests, intent to
    purchase, culture and other niche audiences. Entrants should demonstrate how the
    strategy behind the campaign resonated with the target audience and its success in
    delivering the client’s key objectives.

  • Best Cause Campaign

    This category is reserved for campaigns that have had a positive and measurable impact
    in the world. Whether that be socially or environmentally, the winning project will
    demonstrate how it led with a purposeful cause. This can be CSR focused, marketing for
    brands, charities, not-for profits, social movements or inclusion and diversity initiatives.
    Winning entries will be able to demonstrate the positive impact the campaign has had or
    how it has raised awareness of an organisation’s values or initiatives or constructive
    changes to cultural and social perceptions etc.

  • Best Communications Strategy

    This category celebrates brands who have a clear narrative in their storytelling across all
    elements of their campaign, a compelling use of messaging its aims and objectives with
    work that pushes boundaries, and in some cases the creation of new ways of
    communicating.
    The winning campaign must demonstrate clear consumer insight and through the
    development of a brilliant and fertile strategy, precise execution, and connectivity with the
    target audience. This can include any form of media used, whether a single or multi-
    platform campaign. Judges will favour results that meet the brand’s objectives.

  • Best Distribution and Amplification of Content

    This category recognises campaigns that demonstrate how a campaign was successfully
    boosted by the distribution, amplification, and presentation of content. The content
    does not need to be original or newly created content and can be in any format, and not
    limited to, video, print, OOH or native advertising.
    Campaigns in this category will be specifically judged on their content strategy, which
    will include identifying the target audience and how effectively the placement of content
    was planned and implemented to engage with those consumers.
    We encourage entries from both media agencies and media owners.

  • Best eCommerce Campaign

    This category is looking for the best campaigns which have used ecommerce to help drive
    awareness, purchase intent, click through rates and conversions for brands across all
    sectors.
    Judges will be looking for how the campaigns have interacted across devices, platforms,
    and channels with the right audience in the right space at the right time, how they have
    combined data and creativity to drive sales and increase ROI and achieved the
    campaigns’ objectives.
    Please note this category is open to online retail brands that have used their ecommerce
    and social commerce tools and resources as part of their campaign, as well as other brand
    campaigns that have used ecommerce sites as part of the media strategy.

  • Best Engagement Strategy

    This category recognises the campaign that can demonstrate the most successful
    consumer engagement, showing tangible target audience related results. The campaign
    can have used any media channel so long as it can prove engagement with either wide-
    scale or niche consumer groups.
    The jury will be looking for audience related results and proof of engagement through
    metrics such as 'time spent with brand', 'number of interactions with the brand', 'number
    of downloads', 'number of comments' and so on.

  • Best Event or Experiential Campaign

    This category recognises physical, virtual and Hybrid experiences that deliver an effective
    event or experiential campaign for consumers. The case should be clear on its results and
    be focused on the event / experience itself. The jury will expect to see how the brand has
    developed its interaction with the consumer, created a number of key touchpoints and
    brought to life the brand’s values and identity. The winner will be able to demonstrate the
    tangible benefits for the brand ideally including business results as well as impressive
    campaign metrics.
    Examples can include but are not limited to- pop-ups, stunts, guerrilla marketing,
    projections, ambient media, digital simulations and virtual events.

  • Best Integrated Campaign

    The winner of this category must have combined two or more platforms, such as mobile,
    OOH, social media, technology, TV, cinema, radio, print or other. The successful multi-
    channel campaign must show an effective use of various mediums in a creative and
    engaging way to obtain great results on clear objectives.
    The Judges will be looking to see clear decisions behind the varying platform choices and
    why the formats chosen are integral to the campaign’s success. They will also be looking
    for how the channels worked together, why and how they combined the audiences of the
    channels.
    Note that the campaign can be solely implemented using digital media, or solely
    implemented using traditional media, or both as long as there are two or more platforms
    used successfully.

  • Best Launch or Relaunch Campaign

    The winning campaign will demonstrate the most successful strategy created to launch or
    re-launch a new or existing product, service, or brand. Judges will look for proven
    understanding of the target audience and marketplace, which is incorporated into the
    strategy and execution and focus on the results the campaign has delivered.
    Entries focusing on a relaunch should be able to present a significant and obvious update
    or change to the product, service, or brand in question. It will also be advantageous to
    compare previous results to those that have been achieved since the relaunch.
    Please note- the launch or relaunch of a marketing campaign is not suitable within this
    category, judges will specifically be looking for the launch or relaunch of a product,
    service, or brand.

  • Best Local Brand Campaign

    This category is reserved for campaigns designed for local brands, the brand can be
    specific to a community, country, or region. The winning work should demonstrate how
    the campaign has been specifically tailored for a local audience and recognised cultural
    nuances.
    Judges will look for great insight and execution, including the use of appropriate media
    channels and strong results, such as increases in brand perception, local engagement,
    and sales.

  • Best Local Execution of a Global Brand

    This award will recognise the creative and strategic media approach that results in a
    qualified brand impact on the local audience. The winning work could be that for a global
    brand or global brand campaign adapted for local execution, as long as it shows initiative
    specifically for the local audience, recognising cultural nuances.
    Judges will look for great insight and execution, including the use of appropriate media
    channels and strong results such as increases in brand perception, customer engagement
    and sales.

  • Best Music Marketing Campaign

    This category is open to campaigns which have tapped into the world of music as the
    main driver of their strategies and success.
    This could be campaigns that have curated Musical experiences, are focused on, or
    incorporated the use of a licensed, or original piece of music, or collaborations with Music
    acts/artists or organisations such as but not limited to Music publishers, licensors or
    distributors, Record labels and Music streaming platforms.
    Judges will be looking for an authentic connection between the music focus and the
    brand, and at how music has been leveraged to communicate and resonate with
    consumers, while delivering or surpassing its client objectives and generating awareness,
    product or service uplift and key amplification to current and potential customers.

  • Best Partnership

    This award recognises the success of a campaign based on the partnership between two
    or more parties, including but not exclusively between an agency, media owner, brand or
    ad technology owner. The partnership should have been integral to the success of the
    campaign, and judges will particularly reward innovation in the implementation of the
    partnership. The partnership could be for a sustained partnership long-term, or a one-off.

  • Best Response Campaign

    This category is open to campaigns that have tactically responded to the cultural,
    economic, social, political, health and community landscape in a creative and
    resourceful way. Judges will look for brands that have developed their campaign
    strategy in reaction to the changes within the environments and adapted their media
    and marketing strategies to deliver the best possible results and effective change.
    Examples include but are not limited to inclusion, political policy, cultural shifts, health
    crises and social change response campaigns.

  • Best Use of Audio

    This category will be looking at how a brand has successfully used audio as it’s main
    driver to deliver its ROI. Judges will be focusing on the innovation, creativity, planning
    and the business results achieved through the campaign.
    The campaign could have been executed through traditional audio media or digital
    audio media or could have used both.
    Examples can include, but not restricted to the use of Podcasts, radio, streaming platforms
    or other channels in the audio space such as: WTOP FM, Spotify, Pandora, Amazon Music,
    Apple Music, Soundcloud, NTS, Bandcamp, Internet Radio.

  • Best Use of Data

    The winner in this category will demonstrate the best use of data and reflect the
    achievement of effectively reaching consumers where the successful campaign has been
    notably enhanced, or even made possible through learning gained from econometrics
    and data insights. Campaigns can reach from social media to e-commerce as long as they
    have data at their heart.
    Judges will be looking at how data has been used to inform the campaigns and apply
    pivot strategies to adapt and evolve the overall delivery of the work when needed during
    the execution. The winning entry should demonstrate the best use of all data insights,
    which has ultimately improved results, as evidenced by metrics, increases in the average
    order value, a reduction in online CPA or increase in ROI. Pre- and post-campaign
    statistics will be another useful benchmark for judges.

  • Best Use of esports or Gaming

    This category is open to any campaign that has used gaming, gamification or esports as a
    media channel for the focal point of its strategy. The submitted work will have to
    demonstrate how it engaged with the esports and/ or gaming eco-systems taking
    advantage of its audiences, reach and network to add value and deliver fantastic results
    for the client’s brand. This could also include partnerships with esports teams and
    tournament organisers, gaming groups, games publishers, or bespoke gamification
    developers.
    esports examples include, but are not limited to: Fortnite, Guild, Twitch, Fnatic, G2
    esports, Team Liquid, FACEIT, ESL

  • Best Use of Mobile

    This category rewards brand communication that has understood and used mobile to
    make a success of the campaign. Entrants should be clear on how and why mobile was
    used and should demonstrate how it played a critical role in achieving the client
    objectives and great results.
    Examples include, but are not limited to apps, mobile websites, mobile games, and
    mobile based advertising.

  • Best Use of Online

    This category rewards campaigns that have used the web/online landscape effectively
    and as its primary marketing tool. The jury will be looking for creative implementation,
    great examples of interaction and successful results which only web could have achieved.
    Examples include, but are not limited to, content produced for the online landscape such
    as websites; landing pages; video ads; display ads; microsites; apps; search and display;
    SEO; banner ads and pop-ups.

  • Best Use of Out of Home

    This category is open to all campaigns which have used Out of Home as the primary
    media channel to amplify a product, service, or brand. Judges will be looking at how the
    OOH campaigns delivered the clients’ objectives, showcased interaction, innovation, and
    excellence in the medium.
    Examples can include but are not restricted to digital and non-digital billboards, posters,
    bus shelters, sports centres, building wraps and small and large sized ambient media or
    objects such as OOH promotional products and installations.

  • Best Use of Publishing

    This category will be celebrating the best use Print and Publishing to drive awareness,
    sales and to meet objectives for the client. Judges will be focusing on how the client has
    utilised the publishers’ media, networks, audiences, tools and portfolio of products and
    the results these delivered. Entrants should be clear as to why Print & Publishing was
    chosen and integral to the success of the campaign.
    The campaign could have been executed through traditional print or digital publishing or
    could have used both.
    Examples can include, but not restricted to campaigns utilising publishers’ magazines,
    newspapers, leaflets, and other digital or non-digital content outlets.

  • Best Use of Real-Time Marketing

    This category is open to campaigns that have successfully engaged with their customers
    utilising real-time information. The strategy may be planned or be more
    spontaneous/reactionary, so long as the entry showcases how the brand created relevant
    messaging and reacted with audiences in real-time by responding to current data, trends,
    news or events.
    Judges will be looking for how the time-sensitive content, amplified interaction with their
    audiences, drove brand awareness, increased conversion, and enhanced the brand’s
    image.
    The range of real-time work judges will consider includes but is not limited to: marketing
    automation such as triggered emails, response to timely news, trends or events, engaging
    with customers on social media, personalised digital content based on interactions, live
    event promotion or location-based deals through emails or apps. Platforms could include
    Twitter, Snap, WeChat, OOH, digital displays, or Facebook for example.

  • Best Use of Social Media

    This category rewards campaigns that has used social media as its core driver of success. The jury will be looking for great examples of interaction and results which only social media could have achieved. Examples of the use of social media channels can include but are not limited to– organic, sponsored and paid-for content, blogs, social video, social posts, video-sharing sites. This could include campaigns using platforms such as Snapchat, Instagram, Twitter, Twitch, Pinterest, LinkedIn, WeChat, Facebook and TikTok.

  • Best Use of Talent

    This category rewards the brand that has leveraged a strategic partnership between the
    brand and talent(s) as part, or as the whole of a campaign.
    The talent may be a celebrity, sports star, leading industry figure, social media influencer,
    brand ambassador or other notable character (real or fictional) who has directly tapped
    into their own following to benefit the brand. The activation may be part of a planned
    campaign using the talent or used more spontaneously in real-time marketing. In this
    case, judges will look for authenticity between talent and brand.

  • Best Use of Technology

    This category rewards campaigns that have understood and used Technology as the
    primary amplification tool to deliver on the objectives of its clients. The winning work will
    be able to demonstrate why/how the technology was strategically selected and used and
    how the brand and technology worked seamlessly, to engage, target, and resonate with
    the right audiences.
    Examples could include but are not limited to the use of- programmatic, first and third-
    party data tech, realtime marketing, AR, AI, Chatbots, IoT, Metaverse, software, wearable
    tech or a custom-made technology solution.

  • Best Use of Video

    This category will be amplifying the best campaigns which have used TV, streaming TV
    services, Video channels and Cinema as their key media channel. Judges will be looking
    at how the campaigns met the client objectives with engaging and creative content in one
    of more of these mediums.
    Examples can include, but are not restricted to the use of Television channels, Streaming
    services, Television Networks, Cinema operators/Chains or Broadcasting companies such
    as: Netflix, Amazon, YouTube HBO, China Global Television network, CJ CGV, Wanda,
    Disney, Sun TV and ABS-CBN.

  • Best Viral Campaign

    This category is open to campaigns that have utilised viral marketing tactics to generate
    engagement around a product, service, or brand, to generate maximum positive
    coverage and consumer interaction.
    Judges will be looking for campaigns which have been amplified by the power of peer
    recommendations across social networks and other online channels and have employed
    one, or a number of the following viral marketing tactics including a message which
    instantly translates as bold, funny or awe-inspiring to the right target audience; content
    which has a call to action or is instantly shareable; the use of emotive content that
    encouraged its audience to take action and an overriding short and simple message for
    the brand, service or product being marketed.
    The jury will also be looking for metrics such as level of reach, connectivity with the
    audience, the number of shares the campaign achieved across its different channels and
    its overall impact of the brand, service, or product it was amplifying.

  • The Best Use of Sport

    This category has been created to celebrate media campaigns, which have used sport as
    a vital component of their strategies to drive results, resonate with consumers and
    communicate the client’s key messaging. This could include working or partnering with
    sports teams, organisations, communities, and associations within any sport around the
    globe, or an activation at a sports event – local, regional, or global – which allows key
    touchpoints for the client’s target audiences and is part of an overall media strategy.
    Judges will be looking at the results the association with sport has achieved, how it met
    and surpassed the client’s objectives and used sport as a key communicational tool.
    Examples could include but are not limited to- innovative sponsorship activations at
    sporting events like F1, FIFA World Cup, or the Olympics and working with sports teams,
    clubs or organisations- such as the IOC, APL, Indian Cricket Premier league, Cricket World
    Cup, Rugby Football League and ASIAD

  • The Creative Media Award

    This category has been curated to celebrate ground-breaking creativity within the media
    industry. Entries should demonstrate how their campaigns have been propelled to new
    heights, whether that be through innovative ideas, clever use of media channels- existing,
    as well as the creation of new, or a game changing strategy.
    Judges will be looking out for cut-through or pioneering campaigns, that skilfully navigate
    but also transcend the media landscape. Please note whilst results will play a role in the
    judging of this award, the jury will be focused on creativity itself.

  • The ROI Award

    This category will focus primarily on the ROI the campaigns delivered for their clients,
    meaning results will play a critical part in the judges’ evaluation where numbers showing
    the campaign’s direct impact on sales and awareness should be compelling. Positive uplift
    against business targets rather than campaign metrics will be most favoured. It’s open to
    all campaigns, whether consumer or corporate, and judges will consider the size and
    difficulty of the aims of the campaign, or the changing nature of the challenge when
    making their decision.
    This category will allow a two-year eligibility period, with campaigns that ran
    between 1 October 2021 and 30 November 2023 eligible for entry.

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